Untitled (2009)
artist: Tagny Duff


This video explores the relationship between the cell phone, as a tracking device (GPS tracking system and information storage device) with that of the scanning electron microscope (SEM) used to record specimens at the micro and nano scale for surveillance purposes. The SEM is a cousin of the Slow Scan Television, an analog technology whereby video images are processed through the telephone line. Today the SEM is considered one of the most sophisticated 2D imaging systems for visualizing the form and composition of microscopic materials. The speed of scanning and recording the images is painfully slow, more akin to stop-motion photography than real time GPS tracking available on cell phones.


In this work, participants are invited to download the video on their cell phones and consider the relation between the surveillance of place and space across various scales and temporal fields in regard to their own bodies. The images are compelling, but the information gained has come at a cost. The structure of the biological specimens becomes progressively more and more damaged, bombarded by electrons when being observed and recorded.






Tagny Duff is an Assistant Professor in the Department of Communication Studies at Concordia University. Her background is in media art with a focus on video, performance, net art, bioart, social sculpture and installation. Dr. Duff is also an interdisciplinary artist based in Montreal. Her research/creation interests focus on visual culture, viral media, Web 2.0, interdisciplinarity, art/sci production and collaboration, post-studio art practice, and the relation between art, technology and science. Her work, which includes video, performance, installation and biological art, has been exhibited and screened internationally. Recent groups exhibitions include Evolution Haute Couture: Art and science in the post-biological age (Moscow Biennial 2009), Biological Imperative (Gallery Aferro, USA 2008), Artist in residence exhibition (Perth Institute for Contemporary Art, Western Australia 2008), and the sculptural work “Living Viral Tattoos”, which was selected by the international selection jury committee for The Exhibition (part of the 15th Annual International Symposium of Electronic Art, August 2009).